Ryedale Woodturners

This website is being updated from August 2022. This is an archive page.

Margaret Garrard - professional woodturner

Margaret Garrard

Thursday 4 July 2019

Snainton Village Hall

Margaret returned to the club for the first time at our village hall venue - her last visit was in March 2016. She brought along some of her exhibition work, but for the demonstration would concentrate on some decorative techniques involving crackle glaze and texturing.

Bud vase with crackle glaze

Margaret Garrard WoodturnerMargaret's subject for the night was a bud vase or pot, sutiable for holding a glass tube, decorated using Jo Sonja crackle glaze and texturing.

She started with a block of oak held between centres, and turned it to round.

Hollowing a pot

A hole for the glass pot was drilled using a long auger drill that had come from Margaret's dad. It was the perfect size for the glass tubes that she had found - a little wider than the usual test-tube, to allow a group of flowers to be displayed rather than a single stem.

Wooden pot

.A collar was turned at the top end (re-mounted having realised she had missed it!). Some thought and judgement was given to the curves and the depth of the collar, until the balance seemed right.

Drawing sloping lines

Masking tape was to be applied, and some experimenting with angled lines was chosen for this pot. Other examples are shown below. Margaret used some very narrow masking tape or margin tape, available from Graphic Air. The blue one was slightly stretchy, allowing it to curve if desired.

Painting with Jo Sonja acrylicSome base coats of Jo Sonja acrylic paints were applied, quite roughly with the brush strokes in many different directions, to aid the crackling later. These were dried with a hairdryer - normally they would have been left for a couple of hours.
Decor crackle glaze

On top of the base coat a layer of Decor crackle glaze was applied, from a small bottle once again by Jo Sonja. Again rough brushstrokes.

Margaret had found that this by itself did not always produce a good crackle, so a second small bottle labelled Crackle Medium was used later, and this apparently enhances the overall effect.

Drying paint

Speeding up the drying with a hairdryer allowed the full four coats to be applied - not recommended if more time permits. To recap, the four coats are: base coat; decor crackle; contrasting paint coat; crackle medium. The result was seen almost straight away.

Additional decoration was made with a ball cutter on a Dremel type drill. A simple indentation pattern was traced between the masking tapes.

Cleaning off burrs

The textured surface was then brushed lightly with a small brush on an arbor, to remove any burrs.

remounting the pot

To finish the pot, it was remounted on a jam chuck. A little tape provided sufficient friction. This allowed the spigot to be removed from the base and for it to be tidied up.

More from Margaret Garrard

Inlaid bowls

Bowls by Margaret Garrard

Exhibition bowls

Exhibition pieces by Margaret Garrard

Crackle glaze bowls

Crackle glazed bowls

Crackle glaze pots

Crackle glazed pots

Crackle glaze pot

Crackle glaze and textured pot

Wooden pot

Guidelines drawn for masking tape

Crackle glaze pot

Crackle glazed and textured pots

Crackle glaze

Glazing and texturing in progress

Masking tape

Thin margin tape reels